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Animal Farm Character Map: How the Revolution Changes Hands

Writer: David Lapadat | Music PhD
David Lapadat | Music PhD
12 minutes ago
7 min read


When Mr. Jones neglects to feed the animals, they drive him from the farm they have worked for him. Their first harvest gives them a glimpse of another arrangement. To follow what happens afterward, watch three things together: who can use force, who can read or change the rules, and who must keep working.


Spoilers: This map discusses the whole novel, including its ending.


The animals at a glance


Character or group

Place in the story

Historical echo and limit

Old Major

The elderly boar gives the animals their account of exploitation and a dream of life without human masters. He dies before the rebellion.

A founding revolutionary tradition, especially the ideas associated with Marx and Lenin; he is not a biography of either man.

Napoleon

A pig who takes the puppies away to raise them privately, uses the grown dogs to drive out Snowball, and rules through orders issued in his name.

Stalin’s rise to power is the principal parallel.

Snowball

A pig who teaches, organizes committees, directs the defense against Jones, and draws plans for the windmill. After his expulsion, he survives in the regime’s stories as an enemy blamed for its failures.

Trotsky is the closest historical parallel. The novel never shows what Snowball does after he flees.

Squealer

The pig who explains away the leaders’ privileges, revises the account of past events, and makes worsening conditions sound like progress.

Official propaganda and control of public information, rather than a single historical individual.

Boxer

The powerful cart-horse supplies much of the farm’s labor. His trust in Napoleon grows even when his own memory briefly contradicts the official account.

The working people whose strength sustains the new order without giving them power over it.

Clover

A mare who cares for the other animals and notices the distance between their early hopes and their present lives. She can recognize letters but cannot put the commandments together for herself.

The loyal ordinary animal’s memory and unease; no precise historical counterpart is needed.

Benjamin

The donkey can read and sees more than he usually says. When Boxer is taken away, he reads the writing on the van aloud.

He can make the danger legible to the other animals, but they cannot stop the van.

The dogs

The nine puppies Napoleon removes from their mothers return as his guards. Their first public act is to chase Snowball from the farm.

The armed enforcement of a political ruler, commonly read against Stalin’s security apparatus.


Old Major supplies the language of freedom; Snowball and Napoleon turn it into a program; Squealer manages what the others are told about that program. Boxer gives it his body. Clover and Benjamin show two kinds of recognition that cannot, by themselves, stop the dogs.


The rest of the farm


The sheep learn a short slogan more readily than an argument. Their chanting interrupts dissent at crucial meetings; by the end, they are taught a new version that welcomes the pigs’ imitation of humans.


Jessie and Bluebell are the dogs whose puppies Napoleon takes away for his private education. Their offspring become the guards who terrify the other animals. Minimus, a pig poet, supplies songs and verses for the new regime after the old revolutionary anthem is banned.


The hens lose their eggs to a sale Napoleon orders. When they resist, he cuts off their food; nine die. Their story gives the general language of production and sacrifice a particular cost.


Mollie, the young mare, misses sugar and ribbons. She leaves the farm and is later seen wearing a ribbon while a man feeds her sugar. She neither joins Napoleon’s regime nor fights it.


Moses, Jones’s raven, tells the animals about Sugarcandy Mountain, a place of reward after death. He disappears with the old order and returns under Napoleon, who permits him to stay although the pigs profess disbelief.


Muriel, the goat, can read better than most of the animals. She helps Clover check the barn wall, but her ability does not give either of them control over what is written there.



The humans around the farm


Person

What the animals encounter

Place in the larger allegory

Mr. Jones

The neglectful owner whose failure to feed the animals triggers their sudden revolt. He later tries to retake the farm.

The overthrown old regime, with Tsarist Russia as the broad historical parallel.

Mr. Pilkington

Owner of Foxwood, first a hostile neighbor and later a dinner guest of the pigs.

Western powers as neighboring, self-interested states; he is not one specific leader.

Mr. Frederick

Owner of Pinchfield, who pays for timber with forged notes and then leads an attack that destroys the windmill.

Nazi Germany and the catastrophic failure of the farm’s bargain with an enemy.

Mr. Whymper

The solicitor who carries out the farm’s business with the human world. Napoleon uses what Whymper sees to hide a food shortage.

A commercial intermediary, without a necessary one-person historical equivalent.


The neighboring farms give Napoleon outside threats to invoke, rivals to bargain with, and, eventually, human guests whose recognition he wants.



The revolution, in order


Stage

What happens

What changes on the farm

A cause takes shape — chapters 1–2

Old Major speaks; after his death the pigs formulate Animalism. Jones forgets to feed the animals, and the rebellion breaks out. The farm is renamed, and the Seven Commandments are painted on the barn.

The animals own the farm together in principle. The missing milk is an early sign that the pigs can take something without explaining where it went.

Work and defense — chapters 3–4

The first harvest is successful. The pigs direct rather than share all the physical labor; they reserve the milk and apples. Jones and other men attack, and Snowball leads the defense in the Battle of the Cowshed.

The animals have a real common achievement to remember. Their different access to food, literacy, and command also becomes visible.

Debate ends — chapter 5

Snowball proposes a windmill that could lighten the animals’ work. Napoleon opposes him, then releases the dogs before the animals can vote. Snowball escapes. Napoleon cancels the Sunday debates and later orders the windmill built.

An argument about policy becomes a test of who may decide. Snowball’s plan remains; Snowball’s place in its history is removed.

Shortage and accusation — chapters 6–7

The animals work longer, trade with humans, and see the pigs move into the farmhouse. The first windmill falls in a storm; Napoleon blames Snowball. The hens resist the egg sale. Public confessions and executions follow, and Beasts of England is banned.

Written rules and remembered events become less secure than the leader’s current version. Fear reaches the animals inside the farm.

The Battle of the Windmill — chapter 8

Frederick cheats Napoleon over the timber and attacks. His men blow up the rebuilt windmill; the animals drive them off with heavy losses. Squealer presents the result as a victory.

The farm survives an invasion, but the animals have lost the structure they spent so long building. The name given to the battle cannot restore it.

Boxer is removed — chapter 9

Boxer collapses as he keeps working toward a promised retirement. A van marked for a horse slaughterer and glue boiler takes him away. Benjamin reads its lettering; Squealer later says a veterinary surgeon bought an old van and that Boxer died under care. Boxer never returns.

The animal who gave the most labor is denied the future the farm promised him. Squealer’s account competes with what the others saw.

The final farm — chapter 10

Years pass. The completed windmill mills corn for profit, not electricity for the animals. The pigs walk on two legs, carry whips, and dine with neighboring farmers. Napoleon restores the name Manor Farm.

The animals look through the window and can no longer tell pigs and humans apart. An argument breaks out inside the house even as the rulers resemble one another.


The two windmill disasters should be kept separate. The first structure falls in a storm; Frederick’s men demolish the rebuilt one with explosives. Napoleon blames Snowball for the first collapse, but the novel supplies no proof that Snowball caused it.



Follow the writing on the wall


The Seven Commandments set out which creatures the animals should trust, which human habits they must avoid, and how they must treat one another. The pigs do not erase them all at once. Privilege appears first; a new wording then makes that privilege sound as if it had always been allowed.


Early rule

What the animals later find on the wall

The event it excuses

Animals must not sleep in beds.

The ban now specifies beds with sheets.

The pigs sleep in the farmhouse beds.

Animals must not kill other animals.

The ban now adds without cause.

Napoleon has ordered confessions and executions.

Animals must not drink alcohol.

The ban now adds to excess.

The pigs have discovered whisky.

All animals are equal.

A single final commandment makes some animals more equal than others.

The distinctions the farm lived by are written into its last surviving rule.


Other early promises and rules fall in practice too: the pigs trade with humans, wear clothes, and eventually walk upright. Early on, the sheep’s chant reduces the difference between animal and human to four legs and two. Its last form approves two legs. The words on the barn matter because most of the animals must ask someone else to read them, and even those who notice a discrepancy can be persuaded that their memory is wrong.



How far does the historical key go?


Napoleon and Snowball recall Stalin and Trotsky; Jones recalls the overthrown Tsarist order; Frederick’s bargain and attack recall the Soviet Union’s dealings with Nazi Germany and the German invasion. The windmill gathers promises of modernization and the labor required to pursue them. Those echoes help place the story, but a character may also stand for a class, an institution, a habit of mind, or a relationship between people.


Orwell said in his preface to the Ukrainian edition that he took episodes from the Russian Revolution and rearranged their chronology for the fable. The important question is therefore often less “Which real person is this animal?” than “What can this animal make the others do or believe?” The dogs can interrupt a vote. Squealer can supply an official memory. Boxer can build a windmill but cannot decide what it is for.


The last scene returns to the view of the animals outside. They can see the rulers at a shared table, then hear them quarrel over a card game. The resemblance between pig and man is complete enough to frighten them; the friendship between the rulers is fragile.


Nothing in that happens there gives the working animals their farm back.


Illustrated Animal Farm character map: two pigs administer rules from a raised barn lectern while a workhorse pulls sacks before a crowd of sheep; on-image text reads ‘George Orwell,’ ‘Animal Farm,’ ‘Character Map,’ and ‘How the Revolution Changes Hands.’


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