Dostoevsky’s holy idiots, like Myshkin and Alyosha, embody childlike faith and moral clarity, challenging a corrupt world with their radical

David Lapadat explores Jessica Au’s Cold Enough for Snow, a meditative mother-daughter journey through Japan’s misty landscapes

Betrayal carved me open, and crutches bound me like rusted chains for two years, yet I refused to break—my pop-rock-country album ‘Dark Outside’ rises this summer after six years of struggle. I fight Goliath—life’s pain and censorship—with 15 albums, seeking 1B streams by 2035. Join me to turn silence into a song.